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Hungarian, Austrian and German collection » Painting and Sculpture (12-16. century)

St. Barbara and St. Margaret

Right stationary wing of a winged altarpiece – Parts of a winged altarpiece

Artist
Painter from Vienna or Wiener Neustadt
Origin date
1440–1450
Material
pine
Technique
tempera
Sizes
magasság: 139,5 cm
szélesség: 62 cm
Inventory No.
54.12

54.12

Description and further information

139.5 x 62 cm


As the professional literature had earlier supposed, the stationary wings with depictions of female saints (54.11 and 54.12) and the predella showing Christ and the apostles (54.13) originally belonged to the same altarpiece. On the reverse of the stationary wings a simple red-green vine ornamentation, while the framing is clearly from a later period. The correspondence in size and the stylistic similarities suggest that the movable wings showing scenes from the infancy of Jesus (56.493 and 55.494) on the feast-day sides belonged to the same retable. This is supported by the description in the inventory of the Ipolyi collection, too. In the collection of Blasius Höfel, however, the four altarpiece wings and the predella appeared together with a shrine showing the coronation of Mary in one complete winged altarpiece. Thus far the shrine has not been identified. The structure of the predella, however, indicates that the altar did not have a shrine at its centre, but rather a painted image.

According to the auction catalogue for the Höfel collection, another predella containing twenty-three figures and showing the relationship between Mary and Jesus belonged to the retable (ein langes Gemahlde mit 23 Figuren, die Freunschaft Maria’), but its fate is similarly unknown.

Provenance

The altarpiece wings and the predella all belonged first to Blasius Höfel and were then acquired by Lehmann and finally by Ipolyi. In the Ipolyi collection they were assigned the following inventory numbers: 88, 92 and 107. (‘88 and 92. Pair of altarpiece wings each with a painting of two female saints and primitively painted ornaments on the reverse. Behind were stationary wings that once belonged to the movable wings numbered 68 and 91. 15th-16th century.’; ‘107. Predella made of wood, on it a painting of Christ with the twelve apostles. 15th-16th c. Probably local [Hungarian].’) See: Lakatos-Balla 281, 292.

Bibliography

  • Lakatos-Balla Attila: Ipolyi Arnold püspök hagyatéka Nagyváradon. Miscellanea Historica Varadinensia III. Nagyvárad 2012 281, 292.
  • Mucsi András: Az esztergomi Keresztény Múzeum Régi Képtárának katalógusa. Budapest, 1975, Corvina, 23.
  • Boskovits Miklós-Mojzer Miklós-Mucsi András: Az esztergomi Keresztény Múzeum képtára (Budapest, 1964. Akadémiai Kiadó), 152 (Osztrák v. magyar festő).
  • Czobor Ágnes: Az esztergomi Keresztény Múzeum kiállításának vezetője. Esztergom 1955., 13.
  • Radocsay Dénes: A középkori Magyarország táblaképei. Budapest, 1955. Akadémiai Kiadó, 78
  • Magyarország műemléki topográfiája I. Esztergom 1. Esztergom műemlékei (összeállította: Genthon István; Budapest 1948) 22, 23
  • Archaeologiai Értesítő ÚF. XLVI. 1932-1933 (1934). 121-136. 207-208.,131-132
  • Pigler Andor: „Evagationes spiritus” (Egy képmagyarázat és adatok az esztergomi Keresztény Múzeum festményeinek történetéhez)
  • Gerevich T. Az Ipolyi Gyűjtemény. Az Országos Magyar Képzőművészeti Társulat Évkönyve Bp. 1930, 87.
  • O. Benesch: Die Fürtserzbischöfliche Gemäldegalerie in Gran. Belvedere 14. 1929., 68.
  • Verzeichniss einer Sammlung altdeutscher Gemählde...Wien 1839., 13. sz. - Theodor Frimmel: Lexikon der Wiener Gemäldesammlungen, II. München 1914, 175-176.

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